Christianity QA

Question:

 By Dr. William Pierce http://www.natvan.com "The Jews were very influential in Germany after the First World War. They were strongly entrenched in the legal profession, in banking, in advertising and merchandising, in show business, in organized vice, in publishing and other media. They were trying hard to change the spirit of Germany. They were pushing modernism in art, music, and literature. They were pushing for "diversity" and "tolerance." They were ridiculing German tradition and culture and morality and the German sense of personal honor, trying hard to make young Germans believe that it was "cool" to be rootless and cosmopolitan. They were promoting the same culture of lies that they have been promoting here. That was the so-called "Weimar" period, because right after the First World War some important government business, including the ratification of a new German constitution, took place in the city of Weimar. The Jews loved the Weimar period, but it was, in fact, the most degenerate period in Germany’s history. The Jews, of course, didn’t think of it as degenerate. They thought of it as "modern" and "progressive" and "cool." Really, it was a very Jewish period, where lying was considered a virtue. The Jews were riding high. Many books have been written by Jews in America about Weimar Germany, all praising it to the skies and looking back on it with nostalgia. Even without the so-called "Holocaust," they never have forgiven the Nazis for bringing an end to the Weimar period. There was a Hollywood film made 30 years ago, in 1972, about Weimar Germany. The film was called Cabaret, and it starred Liza Minelli. It depicted Berlin night life, with all its degeneracy, including the flourishing of homosexuality, and also depicted the fight between the communists and the Jews and the other proponents of modernism on the one hand and the Nazis on the other hand. The Hollywood filmmakers, of course, were solidly on the side of the degenerates and portrayed the Nazis as the bad guys, but this film is another example of the Jews outsmarting themselves. The Jews who made the film saw everything from their viewpoint, through their own eyes, and the degenerate Gentiles under their spell also saw things from the Jewish viewpoint, but the Jews apparently didn’t stop to think — or didn’t care — that a normal, healthy White person would view things differently. Check it out for yourself. Cabaret is still available in video stores. The point I am making is this: In the 1920s, after the First World War, the Jews were trying to do to Germany what they began doing to America after the Second World War, in the 1960s. Many Germans, the healthiest elements in Germany, resisted the Jews’ efforts, just as many Americans have resisted the Jews’ efforts in America. In Germany the Jews were a bit premature. Although they had much of the media under their control, they didn’t control all of the media. They tried to move too fast. The healthiest Germans resisted and beat them. In America, in the 1960s, the Jews had almost total media control before they began their big push, and they proceeded more carefully. In America they are winning. The culture of lies has prevailed in America. It’s still possible for Americans to win, but it’s going to be a lot tougher this time. We’d better get started. The first step is to regain at least partial control of our media, so that we can begin contradicting the lies. This American Dissident Voices broadcast is a part of that first step." www.spearhead-uk.com        http://www.natvan.com http://www.altermedia.info     http://www.RealNews247.com

Response:

The truth hurts, doesn’t it.

– Hide quoted text — Show quoted text – A couple years ago at Christmas mass, I sat in my catholic church with my family and listened to the father’s message that Christmas has become too materialistic. I had to agree. Christmas is now a buying and exchanging frenzy. The whole focus it seems is on superfluous objects, losing the true meaning of it’s origin. Just recently, I came across an internet chat board, where some users were discussing the merits of the new movie "Polar Express" with Tom Hanks. Some of the discussion talked about the spookiness of the 3D characters, but others were talking about something I didn’t even realize. The director of the film is jewish –  Robert Zemeckis. http://www.aintitcoolnews.com/tb_display.cgi?id=18709 Now that, unto itself, isn’t that earth shattering. After all, Hollywood has historically been overrepresented by jewish management and ownership. Eisner of Disney, MGM, etc. The owners then being able to call the shots at who will direct and who will star in their blockbusters, hence Adam Sandler and Ben Stiller being gainfully employed. But what struck me for the first time, was that indeed it is a jewish director directing a *Christmas* movie. Of course, jewish people don’t recognize the birth of Jesus – why would they have anything to do with Christmas? I mean, I remember what happened with Mel Gibson’s "The Passion of the Christ" all too well. I distinctly remember seeing jewish critics frothing at the mouth blathering how "anti-semitic" the work was. I simply couldn’t have imagined a jewish director voluntarily taking on the directing role of a Christmas movie. Why is a jewish director directing a Christmas movie like "Polar Express"?? I happened to remember Tom Hanks on "the Late Show with David Letterman" recently promoting the film, and he couldn’t even bring himself to say the word "Christmas", instead using those politcally correct words of "holidays" etc. Hmmm. Something was up. A couple of google searches later, and I came across a jewish perspective. http://www.jmwc.org/whitechristmas.html The history of christmas movies and music actually have a jewish connection. Many Christmas movies have been created and directed by jews from the early 1930’s on. The song "White Christmas", was actually written by a russian jew.    "Rosen demonstrates how the song "White Christmas" certainly aided the process of     ’secularization’ of Christmas. Year after year, the bombardment began, and year after year Jews were faced with the ‘Christmas dilemma.’ In an ironic twist, Jewish success in the arts and business of Christmas, such as Berlin’s, helped create a catalyst to Jewish demise from the pressures of the lure of Christmas. In the history of the Jewish Christmas movie, I discern three separate periods, each revealing of its era. The first is the age of "the dream factory,"…. . For that first generation, creating Christmas stories was an affirmation of their ability to put a gloss on the mainstream culture and sell it to itself." "Yet Rosen also points out that the American-style secularization of Christmas, took away the edge of society focusing on the European-based traditional hatred of Jews that came with every Christian holiday." All one has to do is look at how the word "Christmas" has become a bad word – Christmas becomes "Holiday Season". The "Twelve Days of Christmas" becomes "Twelve Days of Giving". "Christmas tree" becomes "Holiday Tree". To paraphrase it, jewish hollywood has been steadily creating "secular Christmas" products, trying to distance itself from "religious Christmas", all so that jewish people can feel more comfortable with themselves, profit off of non-jews, and steer Christians away from their own religion. Now I know why Christmas is so materialistic and has lost its meaning. The "Polar Express" is simply more jewish propaganda, used as a tool to subvert the masses. Perhaps a non-jewish director can have sweet revenge and create a secular Hannukah movie? It would be equally disrespectful. You’re not only a bit paranoid, but you don’t even understand that a good strategy even if what you said was true would be to celebrate the true meaning of Christmas. You can’t do that, because you’re a neo nazi and you don’t give a shit about Christian values, so quit pretending.

Response:

– Hide quoted text — Show quoted text -A couple years ago at Christmas mass, I sat in my catholic church with my family and listened to the father’s message that Christmas has become too materialistic. I had to agree. Christmas is now a buying and exchanging frenzy. The whole focus it seems is on superfluous objects, losing the true meaning of it’s origin. Just recently, I came across an internet chat board, where some users were discussing the merits of the new movie "Polar Express" with Tom Hanks. Some of the discussion talked about the spookiness of the 3D characters, but others were talking about something I didn’t even realize. The director of the film is jewish –  Robert Zemeckis. http://www.aintitcoolnews.com/tb_display.cgi?id=18709 Now that, unto itself, isn’t that earth shattering. After all, Hollywood has historically been overrepresented by jewish management and ownership. Eisner of Disney, MGM, etc. The owners then being able to call the shots at who will direct and who will star in their blockbusters, hence Adam Sandler and Ben Stiller being gainfully employed. But what struck me for the first time, was that indeed it is a jewish director directing a *Christmas* movie. Of course, jewish people don’t recognize the birth of Jesus – why would they have anything to do with Christmas? I mean, I remember what happened with Mel Gibson’s "The Passion of the Christ" all too well. I distinctly remember seeing jewish critics frothing at the mouth blathering how "anti-semitic" the work was. I simply couldn’t have imagined a jewish director voluntarily taking on the directing role of a Christmas movie. Why is a jewish director directing a Christmas movie like "Polar Express"?? I happened to remember Tom Hanks on "the Late Show with David Letterman" recently promoting the film, and he couldn’t even bring himself to say the word "Christmas", instead using those politcally correct words of "holidays" etc. Hmmm. Something was up. A couple of google searches later, and I came across a jewish perspective. http://www.jmwc.org/whitechristmas.html The history of christmas movies and music actually have a jewish connection. Many Christmas movies have been created and directed by jews from the early 1930’s on. The song "White Christmas", was actually written by a russian jew.    "Rosen demonstrates how the song

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